The Holiday Houses



Since it's been all about "Something's Gotta Give"  I thought that Nancy Meyers' follow up movie "The Holiday" needed a closer look.  Just as the star of  Something's Gotta Give was the Hamptons house itself, the star of the "The Holiday" wasn't really Cameron Diaz or Kate Winslet, but their two homes, one in Los Angeles and one in the English Countryside, respectively.  And in another connection between the two movies,  the production team was led  Jon Hutman - but Beth Rubino, so wonderful on the set of SGG, was absent for The Holiday.  And just as with Something's Gotta Give, Nancy Meyers' personal interior designer has photos of "The Holiday" houses on his web site, but he is not mentioned in the film credits.     The Holiday, coming so soon after Something's Gotta Give received a lot of prepublicity hype concerning its premise:  two women swap houses for the Christmas vacation and both find love.    For lovers of the SGG house, a new Nancy Meyers movie about TWO houses was almost too good to be true !   


"The Holiday" Los Angeles House:



The exterior of the Los Angeles house is actually a well-known classic.  Designed in 1928 by famed architect Wallace Neff for his own residence, the home is located in San Marino, Pasadena.   The front gates close off the motor court from the street.  White, with a red tiled Spanish roof, this house was used only for the exterior footage.  The interiors were built on a sound stage.



 The beautiful back yard.  Notice the hanging balcony on the left - so charming!  The outside stairs go up to the second floor.  I love the window that is gated.  This Neff home is so representative of Mediterranean styled Californian architecture and is the perfect star for the movie.



The entry way with its large, contemporary styled stairway.  I love the seagrass runner, of course!  Note the basic elements of this house:  white, stucco appearing walls, dark - almost black hardwood floors mixed with slate floors.  I don't know if the walls were actually stuccoed for the movie set.  But in real life, stuccoed walls would be found in an older house like the Neff home.  Since, this house is supposed to have been built in 1928, the interiors are made to look as though they were completely remodeled.    Note:  instead of copious overhead lighting, iron sconces are used throughout.



The main living room right off the two story entry hall.  Note the table in the entry hall appears to be the same Rose Tarlow table used in  SGG's master bedroom.  In keeping true to the home's exterior and "age" note the thickness of the stucco walls leading from the entry into the living area.   Another authentic element is the metal French doors, painted black. 



The main living area:  a textured checkerboard rug was used in this room, dressier and more contemporary than seagrass.  The upholstery is a mix between traditional and contemporary designs.  Note the sofa has square arms and clean lines making it more contemporary than the chairs which are rolled arm wing chairs in white, tight fitting slipcovers.  The darker armchairs appear to mohair - another contemporary touch.  The tables are a mix of classic and contemporary - and they are mostly dark.  Flanking the limestone mantel are two painted wood pieces.  A criticism:  I think there are too many little accessories strewn about - larger,  more dramatic pieces would be more pleasing.  There is also an attempt to introduce organic forms into the room:  note the wood free form table between the two white chairs.   The most important element here is contrast, just as in the SGG house:   there is high contrast between the white walls and white furniture and black floors and dark upholstery fabrics, furniture, and curtain fabrics. 



The formal dining room brings a pine colored table with matching sisal rug.  Gray slipcovered chairs in a contemporary shape.  Dark wood console, white curtains, white walls.



Down this corridor or inner loggia which is differentiated by the slanted wood rafter ceiling is the family area and kitchen.   It appears that this loggia was once part of the outside and has been incorporated into the interior,  judging by the rafter ceiling and the load bearing columns.   Of course this is either Hollywood fantasy or the set decorators copied the interiors of the Neff house.  The design elements that started in the front part of the house continue through here and throughout the rest of the house:   black slate floors, white stucco walls, white slipcovered upholstery fabrics, dark wood furniture.  Again, there is a mix of traditional and contemporary elements.  On the left, there is an antique oriental console.    Traditional lanterns play a big part in this room.  I love the sofa:  mine is an exact duplicate!   Notice the ultra contemporary fireplace on the right.


In the same room as above, the area next to the fireplace in the family room - kitchen area.  Dark, wood, round table is circled by white, slipcovered armchairs.  Through the iron french doors, you can see the covered patio area, furnished the same as the interiors.



A view towards the kitchen area  from the dining area:    Large, french styled outdoor lanterns highlight the area.  The entire room has an extra high ceiling with white rafters. 


Looking back towards behind the kitchen to a contemporary butler's pantry.  Wicker baskets take the place of drawers in the built in.  The contemporary fireplace and raised hearth is on the left.  Instead of dark fabric curtains, the designers opted for dark colored natural fiber shades over the large french windows.



Close up of the kitchen area of the large family room.  The kitchen is only one long countertop.   The  table serves as the island.  The refrigerator must be behind the two large black doors.  No overhead cabinets add to the streamlined look.   This is a kitchen built for a single woman, like Cameron Diaz who owns the home in the movie.  The countertops appear to be trendy concrete.



The loggia, looking down the opposite way, with the oriental console on the right.  Ahead is the media room.



The media room, dark and cocoon like to watch Hollywood movies in:  the ceiling retains the rafters, a reminder of the home's actual age and style.    The walls are a deep chocolate brown, but the curtains are a white to provide that high contrast, as the white built in does.  The floor is brown wall to wall carpet.  Instead of a sofa, there is a line of four slipcovered, white chaises with brown pillows - what a great idea for a media room instead of those phony theatre seats you so often see!!!   I love the black lamps behind each chaise and the brown cashmere throws.    Oriental styled console is to the left.   Also on the left, there appears to be that other over used theatre room prop:  a popcorn machine!




Upstairs, the white and brown theme is toned down with gray and white.  The sheets are white as is the shaggy flokati area rug.  The shape of the headboard mimics the shape of the upholstery pieces downstairs.  The light colored nightstands mimic the organic colors from the dining and living rooms.  Notice the curtain treatment:  the roman shades are made out of  a slightly darker fabric as the curtains.  This is repeated on the bed:  the bed is upholstered in the light gray and the pillows and spread are a deeper charcoal gray.  The slight variations in the gray colors keeps the room from being boring.  The shelves in the nightstand are piled high with nighttime reading, just what you would expect from a high powered film executive that Cameron Diaz plays.



The sitting area of the bedroom has a contemporary daybed piled high with cushy down pillows.  The two Oriental round decorative objects are used as coffee tables.  To keep the room from being too slick, a rustic, black console is added to the mix.



Across from the daybed are two white slipcovered armchairs and dark wood table, just as is found downstairs.  The color is off in this picture for some reason - the gray appears blue!   What is wonderful about the design of this house is that all the furniture is interchangeable from room to room.   There is a continuity to the design throughout the house.  If Cameron/Amanda ever decides to move, furniture from one room would work in another room just as perfectly - it all blends, it all meshes, which is a wonderful way to design a house.   Notice the rafters in the ceiling and the iron windows which maintain the authenticity of the Mediterranean house.



I suppose this bathroom is supposed  to be one of the back rooms with a balcony.  Maybe this is the room that the outdoor stairs leads to!  Here the egg bathtub  takes center stage. Rafters, chevron shaped hardwoods painted black, trendy medicine cabinets are used for storage instead of built in cabinets.   The same shades used in the kitchen are used here.  The curtains are cream and are trimmed on the lead edge in brown, along with a brown skirt on the bottom.  This house fulfilled it's requirements perfectly as Cameron/Amanda's home -  a successful single woman who is controlling and unfeeling.   The home is not particularly warm and cozy, yet it is beautiful and impeccably dressed, just as Cameron/Amanda is.  Though it is Christmas time, the house is hardly decorated at all, further describing to the viewer how cold and detached Cameron/Amanda really is.     Many people favored this home over the Something's Gotta Give Hamptons house and though the two houses share some design elements, the feel is very different in each.


The English Countryside Cottage:


The Los Angeles house could not be more different than the cozy cottage of Kate Winslet/Iris!   The facade of this house was built for the movie, though it is almost impossible to tell, it is so authentic.   Isn't this just the most charming house and everything you would think you would find in the English countryside?   A low stone wall encircles the house and a small gate with bells lets you into the property. 



A small front porch and the front gate played parts in the movie and added to the country charm. 



Inside the front door, an antique bamboo coat rack is piled with umbrellas and jackets.  The set is so authentic down to the last detail  - n0tice  Kate/Iris's doggie dishes.  Wellies stand next to the coat rack.



The ceiling is authentically low with wooden beams.  The furniture is covered in the typical cluttered country home style of mix and match fabrics.  A large tufted, blue velvet ottoman serves as a coffee table.  The drapes are a linen flowered print, perhaps Colefax and Fowler.  The pillows, or cushions as the English call them,  are a jumble of mixed prints.  The armchair is slipcovered and a drum serves are a side table.   Charming as it can be!



The side wall of the cottage with the stone fireplace and bookshelf piled high.  An old, threadbare oriental rug covers the brick floor.



Looking towards the back of the cottage, a glimpse of the small, tiny stairs with its striped runner. 



A close up view of the antique suzani on the back of the white chair.   And on the sofa behind it, a Robert Kime fabric covers the lumbar pillow.  In front of that sofa, an antique tole tray on an oriental stand doubles as a coffee table.



A close up of the slipcovered chair fabric - I'm just not sure whose it is.  Does anyone know?  And notice the top book on the basket tray is called "The Iris Book" after the Kate/Iris character.  The stair runner is probably a Roger Oates piece.



Cameron/Amanda in front of the living room fireplace in Kate/Iris' house.  Notice that Iris didn't forget to decorate for Christmas!  Of course she wouldn't, she is more caring and emotional than Amanda.



Across from the living room is the kitchen with the eat in area.  Blue painted cabinets with painted wood knobs are again an authentic English cottage touch.  The fireplace is topped with blue and white transferware and white ironstone.  A modern Ikea style rack is on the left.   Notice the teeny tiny range.  And also be sure to notice on the right, the authentic skirted, metal sink.   Seagrass covers the brick floor.  The home is messy and cluttered exactly what one would expect the Kate/Iris character to own.



A close up of the charming red wicker dining table and its antique wood chairs.



Another view of the charming eat in kitchen.



The upstairs bedroom with its ceiling open to the rafters.  A large, white painted iron bed is piled high with warm blankets and cushy pillows.  An antique bamboo table  holds warm, cashmere throws.  Wicker baskets throughout the house hold firewood.  Included in the mix is a red painted chest and a blue painted desk. 


"What am I doing here?  I want to go home!"   Amanda says, freezing in Iris' bed, before she meets Iris' brother Jude Law - at which point she begins to have fun and chooses to stay for her vacation.  Hey, if Jude Law was after me, I'd stay too!


The oh-so-charming bathroom with the authentic metal tub.  It's hard to believe this is a movie set!  The floors are gray with painted black diamonds perfectly worn down.  A white chest fills in for a built-in.  On the left, notice the door's hardware. 



The library - I"m not sure exactly where this room is.  It appears to be on the bottom floor, in a lean-to addition.  Or, it could be next to the bedroom on the second floor.   A lovely antique Edwardian chair sits next to a faux bois table on the left. 


If you like this style of home, it would be relatively easy to duplicate.  First you would need a small, charming cottage made of stone!  No, seriously - it would take a mix of upholstered and slipcovered comfortable and squishy furniture covered with English linens and cotton tickings by Colefax and Fowler and Bennison, all in muted shades of red and green and blue.  Creamy colored walls painted with Farrow and Ball in Dorset Cream.  You would need accent antique bamboo and tole pieces, a large upholstered ottoman, gateleg tables, a mixed of landscapes and animal prints in antique frames.  Lots of collections of smalls and transferware, ironstone, silver, candlesticks, walking sticks, tartanware, and porcelains.   Threadbare oriental rugs in blue and red shades and seagrass matting, wall to wall.  You don't need a designer for this look, you just need to collect and add to the clutter year after year.


Which house  do you prefer, the English cottage or the L.A. Mediterranean with the contemporary interior?


The good news:  Nancy Meyers is working on a new screenplay about a long term marriage, divorce, and relationship which she says will be completed this August.  The starring roles call for one woman and two leading men.  Sounds interesting!  James Radin, her personal interior designer reports he is gearing up for a new movie set - is it Meyers new movie?  I hope so!!!


Be sure to visit Linda Merrill at Silver Screen Surroundings who is also profiling Nancy Meyers this week.

James Radin - Something Gotta Give Designer



James Radin designed kitchen, styled after the Something's Gotta Give kitchen

James Radin, the interior designer from Los Angeles is credited at the end of Something's Gotta Give with a "Thanks." There is no hint given of what he did to deserve the thanks, but savvy viewers in the know are aware of Radin's unique contribution to the movie - he is Nancy Meyers' ( the writer and director ) personal interior designer.  While Jon Hutman is listed as Production Designer and Beth Rubino is in charge of Set Decoration, it is Beth who has been truly credited with the house's design.   What was Radin's role in the house's design?    Apparently, Meyers so loves her own home and it's designer that she asked Radin to help out the production team.  The big question and one that will probably never be fully answered is who truly designed the Hamptons House? Who came up with the interiors of the Hamptons House?  In this article in House Beautiful, here is how Radin described his contribution:

DONNA PAUL: You've designed houses in two hit movies by director Nancy Meyers, Something's Gotta Give and The Holiday. Are you a set designer or an interior designer who also does sets?

JAMES RADIN: I'm an interior designer. I designed Nancy's own house, and she asked me to help the production design team with Diane Keaton's house in Something's Gotta Give. She wanted it to look professionally decorated, like Diane's character would have had.


So, at this point, it doesn't sound like Radin is the mastermind behind Hamptons House (and the house from the movie,  The Holiday, too - which I will discuss at another time.)     But, the question of who really designed the house becomes even more puzzling when you take a look at Radin's web site.   In his portfolio, which is not especially large, he shows photos from both the Something's Gotta Give AND The Holiday house.  So, by putting pictures of these two movie houses in his portfolio, does this not officially put the question of who is the true designer of the Hamptons House to rest?  Is James Radin the true designer of the beautiful Hamptons House, with its blue and white dhurri, its slipcovered sofa, the dark wood furniture, the beautiful slipcovered chairs in the dining room, the ironstone collection, the gorgeous farm kitchen with the black soapstone counters, and the peaceful cream bedroom with its soft, muted tones?  If Radin is NOT the true designer of the Hamptons House, should the house be in his portfolio? And if he is the true designer, of the Hamptons House - doesn't he deserve more than just a "thanks" on the credits?  How does Beth Rubino feel about the Hamptons House and The Holiday house showing up in Radin's portfolio?


Judging from his web site, Radin's work is truly reminiscent of the Something's Gotta Give house.  You can see the similarities in his other work in his portfolio.  Regardless of who is the true mastermind behind the SGG  house, Radin  is a true talent - he has a fresh, youthful look which is always calming and serene by his choice of colors.   Radin likes to use dark wood furniture, light upholstery fabrics, cushy, down filled sofas and chairs, and rattan and wicker accent pieces.  Again, he uses no dark colors, no velvets or silks, or chenille's (thank God!!) - Radin has a "look" which he stays true to, despite the architecture of the home.


While we may never know  who is the true brainchild behind the Something's Gotta Give house, one thing is certain though, Radin's name is forever tied to the home.  And even more so now since the house is  included  in his portfolio.   Judging from the overwhelming popularity of the SGG house, this will be very, very good for his business longevity.  



This close up of a living room reveals the house is on the beach, probably in Malibu.  Just beautiful!!!!  Blues and white, seagrass matting  over dark hardwood floors, wood paneling, Michael Smith fabric on the sofa's pillow.  Dark hardwood furniture.  Calm, serene, and casual  - everything you would expect a beach house to be. 


The dining area of the Malibu beach house:  I love the light rattan chairs with the dark table and the large lantern.  The two  areas are differentiated by large seagrass rugs over the dark hardwood floors.   Very similar to the SGG house in that the elements are here:  high contrast with dark floors and white walls, light colored upholstery, rattan furniture, dark wood furniture.  Very casual but still refined.


The Malibu house bedroom.  More wood paneling and  beautiful curtains.  Michael Smith fabric on the pillows and the bed appears to be Smith's  too.  Large rattan coffee table.  Transom windows, seagrass matting overs the dark hardwood floors are similar to the SGG house.   Again, casual in the Malibu style.



Another home in Radin's portfolio is again, similar in feel to the Hamptons House.   Soothing and calm, with blue and white ticking over the two chairs.   The appeal of the room is it's casualness - this looks like its a home with young children living there who are welcome in this room.  Though the pillow fabric is the same as used in the Malibu home, I don't believe this is the same house.  No captions make it impossible to tell for sure.


This room appears to be the formal dining room of the house above.  Without captions it's hard to really say. 



The eating and kitchen area of the living room above.  Love the way he used a vintage rattan sofa as a banquette around the table.  The pagoda chandelier stylistically matches the sofa.  Room has the same high wood paneling or wainscot  as the living area with the walls above painted a chamois color.


This bedroom is wallpapered in natural textures.  The painting is just amazing.




Another home in Radin's portfolio:  the architecture is a departure, but the furniture is not. 




From the portfolio, this family room again has a Hamptons House feel to it.  I love the wicker and rattan chairs and sofa.  The colors and the curtains are similar to the SGG house, as is the art work.   Very casual, but in a sophisticated way.



Radin's portfolio included this picture from the SGG house.  Actually - this is a different angle of the room which I hadn't seen a picture of before, so that is pleasing, in and of itself.    This view really highlights the importance that the books and bookcases played in the design.  Notice how much warmth the books add to the room.  Also, this is a great view of the windows with the transoms and the flowing, linen curtains.


Radin's picture of the SGG dining room shows a larger view of the chandelier.  But still, it's not enough to fully see the curvy lines of the light fixture.  On a personal note, from doing these posts and staring at these pictures, I am going to slipcover my dining room chairs exactly like these and maybe even in the same fabric!   I am in love with these chairs!!!!


This picture of the kitchen shows more on the left side than has previously been published before.  Again, by posting the pictures of the SGG house on his web site, Radin insures that his name is tied to the movie, forever  - a great business decision for his future.


And, the last pictures included in the portfolio are the two homes from the movie, The Holiday.  Here, is the living room from the Brentwood home in the movie.   More contemporary than Radin's typical work, it shares elements with his more typical designs.


The beautiful kitchen from The Holiday's Brentwood home.  The lanterns are such a strong design element.  Notice the floor is painted light gray, not dark for a change.  I love this kitchen.


The Holiday:  Iris' small English cottage, the charming cozy cottage that steals the movie.  Completely different in feel from SGG in every way, by putting this house on his web site, Radin leaves no doubt that he is the creative genius behind Nancy Meyer's movie houses.    Right?  He is, isn't he?


Left off the web site is this beautiful L.A. home that was in House Beautiful last year.  The owners definitely wanted the feel of the SGG house, but not a carbon copy.  Radin delivered on both fronts.  I love the rug here, similar but not nearly as bold as the Hamptons House rug.



Cropped shot of the living room mantel with its blue and white vases, sconces, and black and white photography.   Beautiful carrara marble on the mantel matches the carrara in the kitchen.   I love the simplicity of the antique fire screen.  Noticeably the Hamptons House has no blue and white porcelains, something that I would have included in the design myself, but no one asked me!


The family room with its blues and creams and tans blending with the blue and white striped fabric.


Raoul Textile fabric covers the arm chair.  The couple had a beautiful collection of antique spongeware which Radin was not even aware of until after the house was completed!!!!


This picture taken from the web site is a real surprise.  In other photographs of the closet, the picture is cropped without the bathtub included leaving the suggestion that this is only a closet and not the bathroom.    At 500 sq. ft. this room is just stunningly beautiful.  Imagine a closet with french doors covering the clothes!  And how open and easy is the fact that the closet is a part of the bathroom?   Just absolutely gorgeous!!


Below are photographs from a builder's web site, showing earlier work by Radin.  This first home, a contemporary Malibu beach house, is decorated with country antiques.   This house shows just how much Radin has grown as an interior designer:


And one other home from Radin's older work.  Again, it shows how far Radin's work has come.  Or, perhaps we can blame the owners for this mess:



Regardless if James Radin is the true interior designer of Nancy Meyers' last two movies sets, he is a new force in Californian design.  His future is very bright due to the Something's Gotta Give connection and his web site is proof of his abilities.

Be sure to check out Surrounding's blog for her exhaustive research on Nancy Meyers and Something's Gotta Give here.